![]() ![]() The last exercise contains a combination of all the patterns we have looked at in this lesson. The numbers at the beginning of each exercise refer to the chord degrees and the order you will play them. This will help you get to grips with the feel and sound of the phrase much quicker than if you read it right off the chart. Look through the notation and then return to the original chord chart and try to play the pattern by memory. There are loads of different ways to mix arpeggios up to add interest and it is best to use a variety of combinations in your lines.īelow are a few examples of chord tone combinations you can use to spice up your walking bass lines. This is because there is no indication of what chord is coming next as the tones do not lead into each other – this makes the line flow less. ![]() When we play the tones of an arpeggio in order as we did above, it can sound a bit blocky. Turning Arpeggios Into A Walking Bass Line Doing this will get the shape of each arpeggio under your fingers and will allow you to hear and compare the sound of each one. Practice all of these arpeggios in ascending and descending order along to the backing track. Here is the construction of all the chords we will be using in relation to their own major scale: However, this means we will have to venture outside of the first position for a while. For now, we want to play the arpeggios in ascending order so we can hear their tonalities. Now we can move on to the arpeggios of the chords in Fly Me To The Moon. Do this with all of the chords in C major and you should get a pretty good feel for the key. As an exercise, locate all the notes of an arpeggio in the first position and play through them several times, (remember, the tones can be above or below the root). Make sure you are completely confident with these arpeggios before you continue with the lesson. ![]() Chords used – major 7, minor 7, dominant 7 and minor 7 b5.Mainly one chord per bar (sometimes two).Key of C major (although there are a few non-diatonic notes and chords as well). ![]()
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